What’s New

31 May

Backstage

I haven’t been blogging in a long time – too busy with other things.. but I’m back. So, what did I miss?

Two really nice reviews of my trio with Haggai and Ziv. Nate Chinen wrote in The New York Times about our trio show at Smalls in New York City, that took place on April 5.

Here is a short video from that show, (we’re playing Shining Through Broken Glass) and this is us rehearsing a new tune, the morning after, in Brooklyn.

Carlo Wolff wrote about our album Rockets on the Balcony, in JazzTimes magazine. The review includes some great short descriptions of the tunes on the album, including calling ‘España’ “Sexy”, and saying that ‘The Wedding Song’ is “Middle Eastern disco for the end of the world”. I couldn’t have said it better myself.

I was especially happy with the way both Haggai and Ziv are complimented:

“For Milo’s style at its spriteliest, try ‘Hope.'”

“Ravitz is so driving, his highly textured rhythms dovetail perfectly with Klein’s explorations.”

last paragraph:

“That Klein has technique to burn is obvious. That he deeply feels what he’s writing comes through even during a composition as rueful as the title track. He’s pushing envelopes ethnic and musical here. Stretch your ears to meet Omer Klein.”

I’ve been checking out so many things recently.

Music:

Francis Poulenc. This incredible French composer is going with me everywhere I go these days. His choral music is beautiful, and I love his opera Dialogues des carmélites, but I’ve been mainly listening to his chamber music. I’ve developed an obsessive fascination with his Sextet for Piano and Wind Quintet. Check out the first, slow theme of the second movement.

I’ve also been digging into some other 20th century pieces: Stravinsky’s Octet, Shostakovich’s 24 Preludes and Fugues, Ravel’s Piano Concerto (Second movement!), Berg’s Violin Concerto and Debussy’s Sonata for Flute, Viola and Harp.

I find a lot of beauty and depth in all of the above.

Books:

Guy de Maupassant – Le Horla. (In Hebrew it’s called Ha’ShamKan.)

A collection of short stories translated to Hebrew by Aviva Barak. The story Le papa de Simon is a testimony of the existence of good people in the world. It touched me so much that I composed a tune inspired by it, which bares the same title. Can’t wait to bring this one to the trio. However, other stories have much darker themes. All is warmly recommended.

Alex Ross – The Rest Is Noise. I have a much clearer picture of the music of the 20th century now. Ross really creates a strong, unified narrative that ties it all together. If you care about music, this book is a must.

Pablo Neruda – Twenty Love Poems and a Song of Despair. Translated by W. S. Merwin.

Rumi – Birdsong, translated by Coleman Barks.

I’ve been composing new music intensively, preparing for the Israeli tour with the trio in June, for later concerts we have in Europe, and for several upcoming solo concerts. It’s a very exciting process and I’m looking forward to sharing the new sounds with all of you.

Israel Trio Dates: (all in June)

  • 16 – Beit Ha’Kshatot, Ein Ha’Shofet
  • 17 – FestiJazz, Givatayim Theater
  • 18 – Levontin 7, Tel Aviv
  • 23 – Levontin 7, Tel Aviv
  • 24 – Milestone, Gan Shmuel

European dates for the trio coming soon, including some very cool surprises. In the meanwhile, this hit is announced:

  • August 20 – Hofgarten, Düsseldorf – outdoor park concert!

In September, apart from the trio gigs that will soon be confirmed, I’ll also be playing solo concerts and teaching. On Sep 18-22 I’ll teach at the Jerusalem Music Center, in a special, intensive Jazz course for Israel’s finest young classical pianists.

During that visit, I’ll play two solo piano concerts. One at the JMC, (exact date coming soon), and one on Sep 16 at the Gesher Theater. Later on, on Sep 25, I’ll play another solo concert, this time in Belgium – would love to see all my friends over there! This one is at Den Egger, in Scherpenheuvel-Zichem. Try to say that fast, three times, chewing a gum.

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